'Nigger' - (Observations..Assessments...Conclusion...A Black Man's Perspective)

Definition -
1.a. a contemptuous caste-driven usage, generally applied to 'non-members' of the Imperial Society of the Socioeconomic Elite. b. a second-class citizen. c. an affectionate term of endearment mutually expressed amongst some Americans of African ancestry.


Author's note:
.......'TRUTH' - The true or actual state of a matter. (Webster's College Dictionary)


James B. Earley

ObamaCare vs 'Don'tCare; ' Religious Mantra Of Christian Right

Autistic wretch
..Just 'Don'tCare'
Until such time
Its needs declare
..Once they converge
And know despair

While in that anguished
Distressed fuss
...Beg solidarity
Of the Despised Us

When crisis fades
And all seems well
...The Despised Us
'Go rot in Hell! '

..Genius within
Man's wanton wit
....Defines the soul
Of the Hypocrite

....Sanctimony
Amidst...deceit
Sunday Mornings
..Meet and greet

And in God's name
Chant pioused prayer
..Hypocrisy's children
...........At the Church
.................'Don'tCare'

Author's note:
'Only crime and the criminal, it is true, confront us with the perplexity of radical evil; but only the hypocrite is really rotten to the core.'
~Hannah Arendt


James B. Earley

Solitude is
When you do not need anyone around
And even if you are sick,
You are still happy.
Solitude is
To be wrapped in silence
By a mind unattached,
Sinking deep into a foundation of stability.

Solitude is
A clear understanding that
All of us, everything
Are just mental creations, conditioned.

Solitude is
To have abandoned the “I am” conceit,
And is free.

— Venerable Sujiva – Wind in the Forest

Don't say that I will depart tomorrow --
even today I am still arriving.

Look deeply: every second I am arriving
to be a bud on a Spring branch,
to be a tiny bird, with still-fragile wings,
learning to sing in my new nest,
to be a caterpillar in the heart of a flower,
to be a jewel hiding itself in a stone.

I still arrive, in order to laugh and to cry,
to fear and to hope.

The rhythm of my heart is the birth and death
of all that is alive.

I am the mayfly metamorphosing
on the surface of the river.
And I am the bird
that swoops down to swallow the mayfly.

I am the frog swimming happily
in the clear water of a pond.
And I am the grass-snake
that silently feeds itself on the frog.

I am the child in Uganda, all skin and bones,
my legs as thin as bamboo sticks.
And I am the arms merchant,
selling deadly weapons to Uganda.

I am the twelve-year-old girl,
refugee on a small boat,
who throws herself into the ocean
after being raped by a sea pirate.
And I am the pirate,
my heart not yet capable
of seeing and loving.

I am a member of the politburo,
with plenty of power in my hands.
And I am the man who has to pay
his "debt of blood" to my people
dying slowly in a forced-labor camp.

My joy is like Spring, so warm
it makes flowers bloom all over the Earth.
My pain is like a river of tears,
so vast it fills the four oceans.

Please call me by my true names,
so I can hear all my cries and my laughter at once,
so I can see that my joy and pain are one.

Please call me by my true names,
so I can wake up,
and so the door of my heart
can be left open,
the door of compassion.




Thich Nhat Hanh

Gray

I have a friend
who is turning gray,
not just her hair,
and I do not know
why this is so.

Is it a lack of vitamin E
pantothenic acid, or B-12?
Or is it from being frantic
and alone?

'How long does it take you to love someone?'
I ask her.
'A hot second,' she replies.
'And how long do you love them?'
'Oh, anywhere up to several months.'
'And how long does it take you
to get over loving them?'
'Three weeks,' she said, 'tops.'

Did I mention I am also
turning gray?
It is because I *adore* this woman
who thinks of love
in this way.



Alice Walker

When Golda Meir was in Africa

When Golda Meir
Was in Africa
She shook out her hair
And combed it
Everywhere she went.

According to her autobiography
Africans loved this.


In Russia, Minneapolis, London, Washington, D.C.,
Germany, Palestine, Tel Aviv and
Jerusalem
She never combed at all.
There was no point. In those
Places people said, "She looks like
Any other aging grandmother. She looks
Like a troll. Let's sell her cookery
And guns."


"Kreplach your cookery," said Golda.


Only in Africa could she finally
Settle down and comb her hair.
The children crept up and stroked it,
And she felt beautiful.


Such wonderful people, Africans
Childish, arrogant, self-indulgent, pompous,
Cowardly and treacherous-a great disappointment
To Israel, of course, and really rather
Ridiculous in international affairs
But, withal, opined Golda, a people of charm
And good taste.

Written by Alice Walker

EACH ONE, PULL ONE

(Thinking of Lorraine Hansberry)

We must say it all, and as clearly
Trying to bury us.
As we can. For, even before we are dead,


Were we black? Were we women? Were we gay?
Were we the wrong shade of black? Were we yellow?
Did we, God forbid, love the wrong person, country?
Or politics? Were we Agnes Smedley or John Brown?


But, most of all, did we write exactly what we saw,
As clearly as we could? Were we unsophisticated
Enough to cry and scream?


Well, then, they will fill our eyes,
Our ears, our noses and our mouths
With the mud
Of oblivion. They will chew up
Our fingers in the night. They will pick
Their teeth with our pens. They will sabotage
Both our children
And our art.


Because when we show what we see,
They will discern the inevitable:
We do not worship them.


We do not worship them.
We do not worship what they have made.
We do not trust them.


We do not believe what they say.
We do not love their efficiency.
Or their power plants.
We do not love their factories.
Or their smog.
We do not love their television programs.
Or their radioactive leaks.
We find their papers boring.
We do not worship their cars.
We do not worship their blondes.
We do not worship their penises.
We do not think much
Of their Renaissance
We are indifferent to England.
We have grave doubts about their brains.


In short, we who write, paint, sculpt, dance
Or sing
Share the intelligence and thus the fate
Of all our people
In this land.
We are not different from them,
Neither above nor below,
Outside nor inside.
We are the same.
And we do not worship them.


We do not worship them.
We do not worship their movies.
We do not worship their songs.


We do not think their newscasts
Cast the news.
We do not admire their president.
We know why the White House is white.
We do not find their children irresistible;
We do not agree they should inherit the earth.


But lately you have begun to help them
Bury us. You who said: King was just a womanizer;
Malcom, just a thug; Sojourner, folksy; Hansberry,
A traitor (or whore, depending); Fannie Lou Hamer,
merely spunky; Zora Hurston, Nella Larsen, Toomer:
reactionary, brainwashed, spoiled by whitefolks, minor;
Agnes Smedley, a spy.


I look into your eyes;
You are throwing in the dirt.
You, standing in the grave
With me. Stop it!


Each one must pull one.


Look, I, temporarily on the rim
Of the grave,
Have grasped my mother's hand
My father's leg.
There is the hand of Robeson
Langston's thigh
Zora's arm and hair
Your grandfather's lifted chin
And lynched woman's elbow
What you've tried to forget
Of your grandmother's frown.


Each one, pull one back into the sun


We who have stood over
So many graves
Know that no matter what they do
All of us must live
Or none.

Written by Alice Walker

...I saw my life branching out before me like the green fig tree in the story.

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out.

I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

Sylvia Plath

Allow


There is no controlling life.

Try corralling a lightning bolt, containing a tornado.

Dam a stream and it will create a new channel.

Resist, and the tide will sweep you off your feet.

Allow, and grace will carry you to higher ground.

The only safety lies in letting it all in -

the wild and the weak -

fear, fantasies, failures, and success.

When loss rips off the doors of the heart

or sadness veils your vision with despair,

practice becomes simply bearing the truth.

In the choice to let go of your known way of being,

the whole world is revealed to your new eyes.

--Danna Faulds

Hunger Camp At Jaslo

Write it. Write. In ordinary ink
on ordinary paper: they were given no food,
they all died of hunger. “All. How many?
It’s a big meadow. How much grass
for each one?” Write: I don’t know.
History counts its skeletons in round numbers.
A thousand and one remains a thousand,
as though the one had never existed:
an imaginary embryo, an empty cradle,
an ABC never read,
air that laughs, cries, grows,
emptiness running down steps toward the garden,
nobody’s place in the line.

We stand in the meadow where it became flesh,
and the meadow is silent as a false witness.
Sunny. Green. Nearby, a forest
with wood for chewing and water under the bark-
every day a full ration of the view
until you go blind. Overhead, a bird-
the shadow of its life-giving wings
brushed their lips. Their jaws opened.
Teeth clacked against teeth.
At night, the sickle moon shone in the sky
and reaped wheat for their bread.
Hands came floating from blackened icons,
empty cups in their fingers.
On a spit of barbed wire,
a man was turning.
They sang with their mouths full of earth.
“A lovely song of how war strikes straight
at the heart.” Write: how silent.
“Yes.”

•Wislawa Szymborska